Hot Track: Ishida Yuko

Friday, July 18, 2008

Definitely a slick vibe from the artist formally known as Juan. Check out the song and the video for Changes.



Here's some more info on Ishida Yuko from Wiki.ThePPN:

Ishida Yuko made her debut in 2001 as a member of the dance unit SOUL TIGER, from the television program Batoraku. She also auditioned for ASAYAN. A year later she was awarded Miss Magazine's Reader Special Award and in 2003 made the image girl of Teijin.

When making her debut as a musical artist in 2005, she changed her stage name to "Juan". Her first single's tracks were a throwback to popular Western songs of the 1980s. When she released her album three months later, she had a slightly more sexed-up image and included R&B influences in many of the tracks on the album, although a handful of the songs are 1980s-styled.

With her mini-album released in September 2006, Juan completely changed her style to R&B/hip-hop and took her sexy image a step further by wearing even less clothing in promotional videos and the album booklet. However, this mini-album was the last thing she released as Juan.

In 2007, Ishida became an image girl for Triumph, and in 2008 she released her "debut" single, "Missin' U", under her gravure name as a tie-in for the brand. She also won the Grand Prix award for ZAKZAK's "ZAK THE QUEEN" competition of 2007.

Confessions Of An Independent Filmmaker

Friday, July 18, 2008

This has been going on for a little while - the webseries that is - and it's awesome. It shows "Randon Filipino Filmmaking Guy" and his true quest to make his animated movie (which is pretty much Top Secret for everyone watching at home).

In a way - it kind of reminds me of that indie flick My Date With Drew - except this guy is Filipino, and he's not trying to date Drew Barrymore, or anyone else, and he uses a lot of Godzilla references (so maybe it's not like that movie after all).

Here's the latest from this month



Check out the rest of the episodes here (they're pretty short - and fun to watch).

Profile & Video: G-N From Chio in the morning

Friday, July 18, 2008

Because you always want more hats, here's Asian American DJ G-N from Philadelphia's Wired 96.5 talking about hats:



Here's G-N's 96.5 profile:

G-N
Co-host/Female Voice
gn@wired965.com

G-N was born in Seoul, Korea and moved to Arizona when she was just a year old. It's a surprise she talks for a living considering she didn't learn to talk until the late age of 3. Now she is bi-lengual in English and Korean. She's close with her parents and considers her brother one of her best friends. She graduated from the University of Arizona and moved to the East Coast in 2006.

Likes:
Oprah, Grey's Anatomy, Sex and the City, myspace, all types of music even country, fake eye lashes, Spas, MAC cosmetics, dimples on guys, designer shoes and purses but cheap tops and bottoms, reality shows, scalp massages, animals I can feed, my sidekick, feather beds and sheets over 800 thread count, being scratched while falling asleep, so much more...

DisLikes:
Crickets, hang nails, when I have a double chin in pictures, fancy foods like escargot and caviar, bad breath/odor,

Hobbies:
Reading books and magazines, dancing, watching tv/movies, shopping, traveling, rock climbing, dining out, running, tanning, learning anything new, taking pictures, etc.

Things Most people dont know:
This might be hard to believe but I graduated from The University of Arizona in just 3 years. I love cleaning and doing laundry. I've had 3 root canals, burned myself trying to make stupid things, went skydiving, am a sorority drop out, and will try anything once! By the way, my wedding ring finger is size 4.5.

Lee Hyori: U-Go-Girl

Friday, July 18, 2008

The song's not bad, although I'm not into it as much as other people - but the video is cool in that you get to see Hyori play a lot of different characters, and it has kind of an old school feel to it in some places.

Update: Finished listening to the CD Hyorish and this track doesn't stand out when compared to songs like My Life, He Will do it, Photo Gallery, and Daughter of a barber man which all just have a better vibe to them.

Check out the video below

The Asian And You Could Be Asian Emmy Nominee List

Friday, July 18, 2008


Steven Okazaki

Here's the deal. I'm not the all knowing Asian American with "the chip" which can spot out Asian and Asian Americans by name alone (which in ways is a good thing) - and to be honest, it's just not possible because of the diversity of people who are from Asian decent.

At the same time, I wanted to get a list of Emmy nominees who were Asian/Asian American and not just ones that everyone knows about (because we all know who Sandra Oh is) because I wanted to highlight Asian/Asian Americans behind the scenes as well - because they definitely make a difference.

So you can see my dilemma.

I wanted to highlight people of Asian decent - but without pictures this can get difficult.

So what do you do?

You make your best Asian estimate and make apologies to everyone who either got left out (and I'm sure you're there because names don't always tell the picture obviously), or you bow your head in shame for putting someone on this list when maybe they shouldn't have been there in the first place.

But for what it's worth - I'm thinking I'm 95% accurate on the people listed below - and hey - show me a list that tries to do this (because if it's there, I just would have copied it).

P.S. - If I missed you or you know someone I missed, feel free to e-mail anything. At the same time, there were a couple people in camerawork that were in multiple shows (but I only showed them once).

Outstanding Animated Program (for Programming Less Than One Hour)

  • Tom Yasumi - Animation Director - SpongeBob SquarePants
  • Patricia Shinagawa - Animation Timer - The Simpons
Outstanding Art Direction For A Miniseries, Or Movie

  • Radha Mehta - Set Decorator - Recount
Outstanding Cinematography For A Miniseries Or Movie

  • Tak Fujimoto - Director of Photography - John Adams
Outstanding Cinematography For A Half-hour Series

  • Michael Goi - Director of Photography - John Adams
Outstanding Hairstyling For A Single-camera Series

  • Yuko Tokunaga-Koach - Key Hairstylist - Pushing Daisies
Outstanding Main Title Design

  • Garson Yu, Creative Director/Art Director - Bernard And Doris
  • Synderela Peng, Designer/Art Director - Bernard And Doris
  • Etsuko Uji, Designer/Animator - Bernard And Doris
  • Karin Fong, Title Designer - Chuck
  • Dana Yee, Title Designer - Chuck
Exceptional Merit In Nonfiction Filmmaking

  • Steven Okazaki, Producer - White Light/Black Rain
Outstanding Picture Editing For A Special (single Or Multi-camera)

  • Narumi Inatsugo, Editor - The AFI Life Achievement Award: A Tribute To Al Pacino
Outstanding Reality-competition Program

  • Joe Sungkur, Senior Producer - DWTS
Outstanding Reality Program

  • Jeanne Kazumi Petrone, Produced By - Extreme Makeover Home Edition
Outstanding Sound Editing For Nonfiction Programming (single Or Multi-camera)

  • Noz Furuya, Sound Effects Editor -Life After People
Outstanding Sound Mixing For A Comedy Or Drama Series (half-hour) And Animation

  • Susan Moore-Chong - Weeds
Outstanding Special Class - Short-format Animated Programs

  • Won Dong Kun, Animation Director
Outstanding Special Visual Effects For A Miniseries, Movie Or A Special

  • Daniel Kumiega, Visual Effects Animator

Outstanding Special Visual Effects For A Series

  • David Takemura, Visual Effects Coordinator
  • Jamie Yukio Kawano, Lead CGI Artist - Stargate Atlantis
  • Daniel Osaki, Lead Model Maker - Stargate Atlantis

Outstanding Supporting Actress In A Drama Series

  • Sandra Oh - Grey's Anatomy

Outstanding Technical Direction, Camerawork, Video For A Miniseries, Movie Or A Special

  • Easter Xua, Camera - American Idol

Outstanding Technical Direction, Camerawork, Video For A Series

  • Fred Shimizu, Camera - Late Show With David Letterman

Blogo Love

Friday, July 18, 2008

Some links from around the way:

Shuffled! Theresa Vu of Magnetic North

Theresa Vu is a female emcee with no need for the “female” qualifier. Known for her sharp delivery and no-nonsense rhymes, Tvu has performed nationwide and turned heads from rap superstar Nelly to renowned civil rights activist Yuri Kochiyama. She is one half of highly-touted Magnetic North, a duo who consistently ranks among MySpace’s top 10 unsigned hip hop bands in New York.
Satire of the Stupid

Aside from the racial insularity from which it emerges, this art fails on purely discursive grounds. You can't fight demeaning portrayals by actualizing them. If a woman is accused in sexist society of being ugly, the appropriate response is not to draw a picture of her looking extremely ugly according to certain patriarchal standards in order to chuckle about it. That doesn't work. The appropriate response is to undermine the entire set of underlying assumptions and beliefs which give potency to sexist slurs.
SPORTS ILLUSTRASIAN: Reebok Speaks Chine$e

Yao Ming returned to the hardcourt today from a foot injury for 12 minutes against Serbia in the Stankovic Cup, a pre-Olympic tune-up tournament. China won 96-72. Reports said that Yao Ming looked "rusty," but I doubt Reebok really gives a shit how he plays so long as his big ass is out there.
the asian guy in the dark knight

With the latest Batman movie The Dark Knight opening in theaters on Friday, we're probably looking at one of the biggest box office weekends of the summer. I have seen the movie, and it's pretty freaking fantastic. If you liked Batman Begins, this one's going to blow you away. That said... the movie wouldn't quite be complete without a few Asian bad guys.
Japanese Americans get the spotlight in Japanese American National Museum conference in Denver

The conference, which had the awkward and ungainly title but righteous theme of “Whose America? Who’s American?,” also brought more than 800 attendees and volunteers for the four-day span, meeting and greeting and learning about the history, present and future of not only Japanese Americans but also of Americans in general.
The Worst Kind of Wing

The wingman. She's always there if you're looking to have a good time when you want to go bar hopping. You can count on her to rescue you from a sticky situation that you can't get yourself out of. She's the best excuse to use when you're trying to ditch that sketchy guy who just won't leave you alone. She's the Thelma to your Louise. Most importantly, she's the best possible candidate that won't try to cock block you when you're trying to score digits from that cute blonde with the big hands.

Project Slasher: Jerry Tam

Friday, July 18, 2008



Dear Jerry:

Listen. I know you're a fashion designer who unlike some of the other contestants on Project Runway has his own business and is actually making some cash, and in that way you feel like you have to defend your work - and sure - you probably didn't deserve to go home more than Trash Bag Rocker Lady from the 70's with her "whipstitch garbage sack", but c'mon - how can you still stand behind that J-Horror costume you put together that looked like it should have been in Rampo Noir versus for a night out on the town?

Either way - I am still glad you made it on the show (and your intro was cool) and while I'd like to know that there's still another Asian American on Project Runway, I understand the 1 Asian American per show quota, so I'll just have to wait until next season to cheer on another AA.

O.K. - Here's to hoping I see your work in some new flicks.

Slanty

Get Your Play On: A-Squared Theatre Workshop and The Wind Cries Mary

Wednesday, July 16, 2008



So I got word of this from musician Dawen Wang via Chicago about a new play being put on by A-Squared Theatre Workshop called "The Wind Cries Mary" - and it sounds like it's going to be pretty damn cool. The show will be running next month August 1-24 down at City Lit Theatre.

Check out all the info down below from the press release, and if you're down in the area - make sure to get on out and support some Asian American theater.

A-Squared Theatre Workshop, a new Asian-American stage workshop, is producing Chicago’s premiere of Philip Kan Gotanda's The Wind Cries Mary, running from August 1-24, 2008 at City Lit Theatre.

Loosely adapted from Norwegian playwright Henrik Ibsen's Hedda Gabler, Gotanda's interpretation tackles Asian American political and civil rights themes of the late 1960s. Set in San Francisco, with a backdrop of the Vietnam War, the Civil Rights movement and the Women’s Liberation movement, the play takes place solely within the protagonist’s (Eiko Hanabi) home and engages the audience with the character’s inner struggle to break through her own gender and racial issues.

“We sought out this play because it represents what we struggle with today,” said Max Chung, director of The Wind Cries Mary. “The experience of the Ibsen story is universal, and the script is written so that Asian Americans could share our experience, our viewpoint with a larger audience.”

Playwright Philip Kan Gotanda is one of the most produced American playwrights, having worked with the Asian American Theatre Company, Northwest Asian American Theater, Pan Asian Repertory, Berkeley Repertory Theatre, South Coast Repertory, New York Shakespeare Festival and the Mark Taper Forum. Gotanda also works internationally, recently staging a Japanese translation of other work and at London's Gate Theatre in co-production with the Royal National Theatre.

A-Squared Theatre Workshop is the only workshop in Chicago that is focused on the Asian-American experience. The founders of A-Squared saw the need to build a space that could span the range of ethnic groups in the Asian American community and use it as a place “to work out new ideas.” A-Squared hails some of the city’s well-known talent such as Mia Park, Dwight Sora and Paul Yamada to bring culturally specific issues to Chicago’s stage.

Audiences can catch “The Wind Cries Mary” from August 1 – 24 on Thursday-Saturday at 8pm, Sundays at 2pm. All performances are at City Lit Theater, 1020 West Bryn Mawr, Chicago. For reservations call 773.353.5979. General admission is $18, students and seniors $15 and groups of 10 or more at $12.

About A-Squared Theatre:

Mia Park, co-founder of A-Squared Theatre Workshop, has been a co-host of the underground cable music show, Chic-A-Go-Go, for ten years. Mia is a member of SAG, AEA, and AFTRA and has acted in independent movies, national commercials and industrial films for over eight years. In addition to MCing for groups like the Korean Consulate and the City of Chicago, Mia does voice-over work and models. She's performed in the Asian American theater groups Tea Company and Stir Friday Night and has also performed with Collaboraction as Jenny Chow in The Intelligent Design of Jenny Chow and was most recently Fumiko in Hana's Suitcase with the
Chicago Children's Theater Company. Mia graduated from the Meisner Program at Act One Studios and has studied at Improv Olympic.

Paul Yamada is a co-founder of A-Squared Theatre Workshop and has been writing and researching American popular music and culture for over 35 years. He has published numerous essays and reviews and has made contributions to events produced by the Smithsonian Institute, the Washington Performing Arts Society, and National Public Radio. More recently, he has contributed profiles of Yasuo Kuniyoshi and Yasuhiro Ishimoto to the JACL newsletter. He curated the music for the production of Seven Out and assisted with the music for Trial By Water.

Cary Shoda is a co-founder of A-Squared Theatre Workshop and a Chicago-based actor and graphic designer. He played Khue in Trial By Water (co-produced with dueEast Theatre Company) and will produce The Wind Cries Mary which opens in August 2008. Other recent acting credits include The Laramie Project (James Downing Theatre Company), Camino Real (Mom and Dad Productions), and video segments in Ceres (Factory Theater). Graphic design credits include McKinsey & Company, Spencer Stuart, and The Museum of Contemporary Art.

Allen Hope Sermonia, co-founder of A-Squared Theatre Workshop, is an actor/director who has been in and around the off-loop theater scene for the past 10 years. He has appeared and behind the scenes with such theaters as Wing and Groove Theatre Company, TriArts, Inc., Chicago Dramatists, and others. As a director, his work has been seen at Chicago Dramatists, Prop Theater, and dueEast Theatre Company. Recently, he was seen in ICT’s jeff-recommended show Lewis and Clark Reach the Euphrates.

Dwight Sora is a native of River Forest and has been working professionally in Chicago since 2002’s The Rape of Nanking . . . According to Minnie (Stockyards Theatre Project). Prior to that, he was actively involved with the community performance/outreach group Scrap Mettle SOUL based in the Edgewater/Uptown neighborhood, after graduating from the University of Chicago in 1995. Other credits include A Thousand Cranes (Vittum Theater), The Normal Heart (Lincoln Square Theatre), Again (II Roman Senators), and Warren Lemming’s cabaret Cold Chicago. He understudied for After the Quake (Steppenwolf Theatre Company) and Durango (Silk Road Theatre Project), and has fought onstage in Romeo et Juliet (Lyric Opera Chicago) and Tribulation & the Demolition Squad (Chicago Dance Crash). He has worked on several industrial films for corporations such as McDonald’s and Bank of America, and spent three years with the Social Issues Ensemble of Imagination Theater.

Ghuon "Max" Chung is the director of The Wind Cries Mary after having choreographed the movement and fights for Trial By Water. He has been seen on stage with Little Theatre on the Square, Illinois Theatre Center, Marriott-Lincolnshire Theatre, Beef & Boards Dinner Theatre, Pegasus Players, The Artistic Home, Light Opera Works and Ravinia Festival. He graduated from Northwestern University and is a member of Actors’ Equity Association. He voiced the character Chang Wong in the Left Behind audio book series and premiered his one-man show, Secret Asian Man…a Korean Kabaret in Chicago.

Because A Face Isn't Just A Face: Don't Believe The Hype

Wednesday, July 16, 2008

In a lot of ways, after I was done reading the article Do Americans Expect Their Business Leaders to Be White? Study Says Yes - I just thought to myself "Tell me something I don't already know", and while it's just a small sample of people that they talked with in the interviews - if you just look at everything around us - you know that thought is prevalent in today's society - and I have to wonder if the time creating studies like this (which are apparent to anyone who's not white) would better be spent on asking people how to combat the problem versus saying what we already know:

In experiments where the leader’s race was identified, white leaders were held to be a "better match" with "traditional leader expectations" than were minorities, even when the levels of achievement was the same for both. As an indication that subconscious bias can cross racial lines, the participants who identified themselves as racial minorities over-guessed whiteness as often as the Caucasian participants.
Like the title of this post says - and this goes double for my brown peeps - don't believe the hype.

Listen: Norm Mineta

Wednesday, July 16, 2008

If you're looking for something to listen too on your downtime, or you just want to get in the know, make sure to check the NPR interview with Norm Mineta. Can't remember who Norm Mineta is or what he's famous for? No problem:

In 2001, Norm Mineta made history as the first Asian-American to serve in a presidential cabinet, and bears the distinction of being the longest-serving U.S. Secretary of Transportation. The trailblazing public servant talks about his road to White House leadership, leading the nation through acts of terror on Sept. 11, and his plans for the future.
Check out the full interview Norm Mineta on Pioneering Career, America's Future.

And In More On Japanese Themed Game Shows In The U.S....

Wednesday, July 16, 2008

With more and more game shows with a Japanese theme being aired on TV you knew someone would have to do a pretty solid writeup on them:

No one would ever call the television staple commonly referred to as the game show "subtle." It is, after all, a genre that gleefully deconstructs television into a handful of cardinal sins: envy, greed, and occasionally, lust.

But the difference between inane and sublime is in many ways a matter of scale. That's why a genre that plays as crass in America -- Big money! Big money! -- has evolved into something like performance art in Japan, where the full-frontal game show experience pulls no punches in the quest to entertain (especially not the ones aimed directly at the crotch).
Check more out down at Asian Pop.

Grace Park On A&E's The Cleaner

Tuesday, July 15, 2008



Sounding like it could be a pretty interesting show, A&E's The Cleaner will be featuring Grace Park in its multicultural cast as the character Akani Cuesta (premiering tonight).



Here's the lowdown on the show:

Each week THE CLEANER follows Benjamin Bratt as William Banks, a recovering addict who helps others get clean by any means necessary as he struggles to maintain his own rocky personal life. William works with an eclectic team. Swenton is a wily smart aleck who is great undercover and always jealous of Akani, the beautiful, manipulative, and mysterious woman who always seems to get the best assignments and might just have a romantic past with William. Darnell is the newest member of William's crew. Darnell is deeply indebted to William for helping his younger brother get clean, but he must balance his deep religious convictions with the kind of work required as part of William's team.

Together with this eclectic group, William works week-in and week-out to bring addicts of all kinds to the point where they are ready and willing to get help and begin the difficult process of getting clean. With every success and every failure, William wrestles with his own demons through an unusual relationship with God. He's a man caught between an unwavering commitment to his work, deep love for his family, and the ghosts of his own addictions. Bad for his personal life, perhaps, but these are the tensions that make William the one you want helping a troubled loved one, the one you trust to do whatever is necessary, the man you want by your side in your darkest hour. In the face of tragedy and addiction, William Banks will risk everything to be The Cleaner.
Check it out tonight on A&E at 10 PM/9 Central, and for more on the show go to the A&E website here.

The Machine Girl: That Was Splatterific

Tuesday, July 15, 2008

If you like over-the-top blood spray, revenge, campy yakuza, one-armed heroes, and lots o' blood video game style - look no further. I watched this last night and I guarantee you that if that's your thing - you'll absolutely love it - and there's even a little basketball thrown in too.

View the trailer

MV: Wonder Girls

Tuesday, July 15, 2008

I can't really help liking it - because you do have to admit it's kind of a catchy tune (and it's also #1 in SK).

Official MV For The Wonder Girls' So Hot

Satirical Malfunction: The New Yorker And Its Obama Cover

Monday, July 14, 2008



By now you might have heard about the Obama cover on The New Yorker, and if not you can see it pictured above. There's already been a multitude of stories and comments on it which you can read here, here, here, and here, as well as listen to an NPR round table here.

My take?

I'm a free speech advocate, and I love satire. In the political arena - no matter who that candidate is - no one should be exempt, and rightly so. We've built our country (in part) on being able to openly criticize not just politicians and public figures, but those who support as well as denounce them. In that way I have no problem with The New Yorker and their magazine trying to satirize something within the political landscape.

But I'm also an advocate against racism, stereotyping, xenophobia, ethnic humor gone wrong, and people who don't take historical context into consideration.

To be honest - I'm a little torn.

Here's what The New Yorker editor David Remnick had to say:

What I think it does is hold up a mirror to the prejudice and dark imaginings about Barack Obama's — both Obamas' — past, and their politics. I can't speak for anyone else's interpretations, all I can say is that it combines a number of images that have been propagated, not by everyone on the right but by some, about Obama's supposed "lack of patriotism" or his being "soft on terrorism" or the idiotic notion that somehow Michelle Obama is the second coming of the Weathermen or most violent Black Panthers. That somehow all this is going to come to the Oval Office.

The idea that we would publish a cover saying these things literally, I think, is just not in the vocabulary of what we do and who we are... We've run many many satirical political covers. Ask the Bush administration how many.
If the piece is about the misconceptions that people have (or blatantly lie about) towards Obama, where in this cover are they being represented? How are they being lampooned? Without them in the cover the absurdity between what's being said about Obama and his wife versus who they truly are within the context of this campaign is lost in some ways, and to that effect it can become less of a satirical piece versus ammunition to perpetuate Obama myths based on the cover alone regardless of their base audience.

I think in a lot of ways we all get what they're trying to say - but I think the execution wasn't as good as it could have been because it focuses only on the image versus the people creating that image and I think that's key in what they're trying to say because the image being portrayed is only 1/2 of it - and if you're not satirizing the people who are actually creating and believing the false information about Obama, it begs the question of if they really thought this through versus just going "Let's put this up because it's kind of incendiary and it's going to draw attention to our magazine".

And in a lot of ways I think that's what they did do - and to that end - in a lot of ways it makes it nothing more than fodder for miscommunication and misdirection which is the same thing they were in fact satirizing.

Do We Really Care That Much About Sarah Silverman?

Monday, July 14, 2008

So I as perusing The Huffington Post today I came across this article on little old racist Sarah Silverman (because did you ever see Sarah Silverman: Jesus Is Magic? and some of her older "bits") and I kind of wondered to myself two things: Is this really news? and Why the hell am I clicking to read on this story anyway? and it occurred to me that a.) People still don't see her "comedy" for what it really is - a little white girl who thinks saying words like ni**** and ch*** is funny (with nothing satirical whatsoever to say on matters of race and racism) and that b.) I think in some ways I can't help but read an article like this on her because deep down I'm just that type of a person who really finds a lot of cheer in anything having to do with her misery - especially rejoicing in the fact that she won't be getting any more airtime on late-night network television since she's not screwing the host of the show anymore.

You can call me petty - but I just think of myself as really being more slantalicious.

Giving Prescription Drugs To Dogs Is Insane

Monday, July 14, 2008


This dog is on drugs. Image from kittyhell.com

Call me a pet lover who still thinks a pet is inferior to a human being - but who's still cute and cuddly - because when I read about stories in the NY Times about Pill-Popping Pets who take drugs which for all purposes are the same as human drugs (like the dog Max in the article who takes a pet form of the drug clomipramine, a tricyclic antidepressant) - I can't help but think to myself - are you kidding me?

I mean c'mon - dogs are supposed to wag their tails and chase after them because - well - they're dogs - that's what they do. And as much as I was up for "experimentation" back in what I like to call my "free and clear" days, I honestly think giving drugs like antidepressants to animals is kind of cruel because in a way it's like trying to make them into something they shouldn't be.

A dog is supposed to go wacko trying to chase his tail (and if you've had enough drinks, this should be fun for you as well). It's supposed to, without warning, hump the leg of someone you've only met once and then try to eat your shoe and the next day pee on the postman. This is what dogs sometimes do - and not just once or twice - but sometimes for their whole lives (and have people heard of something called a dog trainer?).

This is why a dog is your pet versus your accountant.

And I'm not saying pets shouldn't get good health care or take a vitamin - take care of your pet in that way - but I have to think that if you're giving your pet drugs for their psyche (and especially cats, because cats are just psycho anyway) - maybe your pet isn't the one that should be taking the drugs.

I blame this post on white people and Hello Kitty.

Love Her, Hate Her, It Really Doesn't Matter: Esther Ku Gets Voted Off "Last Comic Standing"

Monday, July 14, 2008



Missed posting this last week - but just in case you were wondering - as she's created some interesting dialogue within parts of the AA community - comedian Esther Ku got voted off NBC's Last Comic Standing.

Personally - while everything she did wasn't always funny to me - I have to give her the benefit of the doubt as a comedian who's trying to find the right balance between making social commentary and just trying to be funny - and I think she did accomplish it sometimes - so I hope we'll be seeing more of her versus fading off into the sunset like a lot of Asian American comics or stars who've been landing on reality TV shows.

For more Ku check out her website here as well as an interview at Buddy TV.

Isamu Noguchi

Monday, July 14, 2008



There's an interesting an article down at the International Herald Tribune on Asian American artist Isamu Noguchi and his work with Akari lights and his upcoming exhibition opening Friday at the Yorkshire Sculpture Park:

As fathers go, Yonejiró Noguchi was lousy. Abandoning his mistress and their unborn baby in America was bad enough, but he rejected them again two years later when they came to see him in Japan. The son grew up to become a gifted sculptor, but his father banned him from returning to Japan under his name.

Isamu Noguchi went anyway, and his father eventually agreed to meet him, albeit grudgingly. The struggle to balance his American roots and Japanese heritage haunted Noguchi's life. It also pervaded his work as an artist, furniture designer, ceramicist, theater designer and landscape architect from the start of his career in 1927 when he assisted the sculptor Constantin Brancusi in Paris, until his death in New York in 1988.
Read the full article here.

Red Cliff And Hellboy II Beat Down The Box Office

Monday, July 14, 2008


John Woo and cast members from Red Cliff

This turned out to be a nice weekend not only for Big Blockbusters - but also for the great directors behind them as Hellboy II: The Golden Army, directed by Guillermo del Toro, hit #1 in the U.S., and John Woo's epic war drama Red Cliff claimed victory in Asia (in the countries where it was shown).

Both films did well monetarily - Hellboy II raked in about $35.9 million on about 4400 screens, and Red Cliff took in about $25 million on around 2000 screens.

If you had to choose a clear cut winner however (and why not do that?) - based on a strict dollar to screen average - technically Red Cliff beat out Hellboy II by quite a large margin (and still has yet to be released in Malaysia and Japan).

I'm thinking Guillermo del Toro probably isn't too upset though because he's still got the #1 U.S. movie and it's not like he put out Meet Dave.